![]() ![]() It seems to belong to an imaginary world in which there is no place for reality. Thus, the character talks about the actions that he would like to perform, but exclusively on a hypothetical basis. He understands that reality does not bring joy to him, but even the fictional world cannot bring any satisfaction. Eliot emphasizes that despite his passion, the character is aware of the inaccessibility of these fantasies. At the same time, he notes, “I do not think that they will sing to me” (Eliot). He would not mind staying underwater with them rather than returning to the real world on land. The character describes how he hears the singing of mermaids while standing on the seashore (Eliot). The character’s fascination with fictional objects, rather than the real world, is also manifested at the end of the poem. The character relies more on unrealistic solutions and abstractions than on the possibility of changing his behavior. Thus, Eliot emphasizes the character’s inability to express his emotions and, moreover, his unwillingness to really cope with this problem. He claims that this item would help him “throw the nerves in patterns on a screen” (Eliot). Instead, the character complains that possession of a magic lantern would be an option for him (Eliot). In this case, Eliot emphasizes the lack of a certain personality strength in character. In comparison with other personalities, the character of the poem regrets himself and complains about the lack of necessary qualities in himself. He admits that he does not possess outstanding qualities and does not even regret it. In particular, he compares himself to Lazar or Hamlet in a rather negative way (Eliot). At the same time, there is an external environment that does not allow him to be interrupted and periodically distracts him.Įliot also uses several references in the poem to the personalities with which the main character associates himself. Eliot uses fragmentation to emphasize that the character is in dialogue with himself in his thoughts. This technique becomes clearer when the reader reaches the end of the poem by reading, “Till human voices wake us” (Eliot). Such a reference to the location, as it were, interrupts the character’s reasoning, returning him to reality. It is noteworthy that the reader can see twice the phrase “In the room the women come and go Talking of Michelangelo” (Eliot). This technique also emphasizes the character’s nervousness, his inability to concentrate on a particular idea. The poem has irregular chunks that can contain from 2 to 12 lines. The character of the poem constantly changes the subject of his conversation, which is manifested in the fragmentation that Eliot uses. His thoughts are uneven he is worried and cannot structure them, which results in a certain stream of consciousness. The combination of complex and simple rhymes and sometimes their complete absence shows the neurotic nature and irritation of the main character. Thus, Eliot uses rhythm as one of the most powerful means of conveying emotion in his poem. This technique helps to achieve a certain comic effect or to show the character’s rarefaction, as it practically parades the words of other people. For example, in lines 39 through 44, Eliot rhymes stair/hair and thin/chin/pin, which gives the narrative an accelerated tone (Eliot). However, some fragments still have a clear structure and rhythm. ![]() The poem is virtually devoid of regular rhythm, reflecting the tension that the author has tried to illustrate. 308 qualified specialists online Learn more The Initial Discussion of the Poem ![]()
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